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Who are you?

3/25/2017

Who Are You?

Who are you?

Artists ask me many times: “How do I develop my own style?”
What a wonderful question and what a wonderful problem! The question can apply to anyone in any career, who are you? My answer is always the same: Who have you become?

As art is a creative process which draws on many experiences, for certain it is shaped over time and is the result many turns. Some turns for the best and some for the worst. In the end who you are is a conglomeration of all of those turns. It wells up within you and desires to come out.

What will you do with that well spring? Sing it? Write about it? Perhaps, as I do, paint it? What will be the channel in which you will release the inner energy?

For me the channel was through my brush. My challenge in life is to present the things in life that I love and make it possible for people who identify with what I feel to have it and enjoy it in their own personal space.

It’s about colour for me. Sometimes it’s about bright colour and other times it’s about dark colours. Either way I use colour to shape the message I present.

My emotional conduit happens through the landscapes I love. Canadian Landscapes, most particularly the Canadian Shield. Together my love for the use of colour and my passion for the land come together to form a message. I must underline that those two elements are also tempered and deeply influenced by my life’s experiences. Jobs, travels, family matters, friends, relationships. These experiences make me who I am and who I am is an emotional being. This emotional being renders colours which come from my mood at the time of painting.

Who am I? I am all of the above. My style of painting is all of the above. In short, I am true to myself and allow my soul to show. I wear my heart on my sleeve. I place my heart on the canvas, I apply it with a brush and colour.

So now, Who are you?

Best regards,
Robert McAffee

Feel free to email me at robsreply@gmail.com or leave your comments here on the blog.

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How to be a successful Artist

12/30/2016

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How to become a successful artist

How to become a successful artist

First of all let me say right out of the gate, success is a measure for which each person has to measure by his own rule. There are many forms of success and artists typically have the most difficult time answering that question in the measure of them selves.

My late uncle Jack Reid used to say, “If you want to know how good an artist is, just ask him”. How true that seems to be. We all have our own usually lofty opinion of our work, which is higher than the opinion of most viewers of our work. Funny how that is, isn’t it? We alone know the hours, weeks, months and years we have had to put into Crafting our skills as painters, song writers, sculptors, etc. We alone have the total sense of the experience that we have gained for the results presently seen in our work. What then is the true measure of success and how do we attain it?

There could be a long discussion had on the subject, Lord knows there has been already in many artist groups as they sip tea and critique each other’s work to death.

For me the important measure of success comes down to ones ability to feel confident about his/her work, and to be able to place in the view of the public, knowing they have done the very best they could possibly have done.
That suggests there has to have been a significant back story behind the artists work. I know there are overnight “success” stories as are present in every walk of life. Pop stars whose lyrics and even music are written for them and conglomerate record firms create overnight sensations. Or a new young artist/painter whose work is embraced by some mega gallery and promoted to the max, creating a “star”, even though the artist has never sold a previous painting in his/her life. Those are always going to be present in this world and we must simply accept that as a fact of life, like it or not.

I am an old school artist. I have been painting since I could hold a brush 50 years ago. For the better part of those years my work was not in any way successful. I neither liked or felt confident showing any of it in public places. What had to happen was a gradual and methodical evolution of my painting style and technic over the entire 50 year period. Even today I am my own worst critic, but I have arrived at a place where the majority of my work, I feel, holds enough merit to put it forward for public viewing and acquisition.

I also feel that on a scale of artists living or dead I am certainly the least of all. No doubt. However, I do feel that my work is worthy of exposure and possibly even ownership by others. The artist is obligated to spend the time and effort each day into painting, creating new work. It is only n this way that one improves and overcomes barriers. An uphill climb which at times seems like a sheer mountains face. I’ve been there many, many times. My uncle Jack Reid used to also say, with every greeting to me, “Keep painting Robert! Keep painting!” That has become my whip, my carrot at the end of the stick. Keep painting, you might eventually like what you have done!

One of my practices is to paint the same painting over and over again, often on the same canvas! Yes, repeating the strokes but each time making it better and better, to my own satisfaction.

Success comes from hard work, and I do say God’s blessing, for which I believe in wholeheartedly.

So I say Keep painting!

RM

Harrington Lake 30"x60" oil on canvas 2016

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Why buy Art?

12/21/2016

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Why Buy Art?

I just can't leave this one alone,
I have to say something before I sleep.

Art is something you behold. When you decide in your heart that it has spoken to you and you would like to acquire it...that's all there is to it. It has done it's job, it has touched someone and connected on a deeper level.

After listening to the point of feeling ill, an interview with an artist who required many questions from the "Respected Arts Journalist" to eventually help the listener to finally understand the point of his art installation, I threw up my hands in amazement! What for? Why do it? Here's my underlying point:

If you need someone to tell you how good it is and that you Should buy it, you probably shouldn't buy it. It's lost on you (and probably most other people).

Buy because you have been reached by it, you have been touched by it, you have received the final connection.

RM
www.robertmcaffee.com

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How to paint

12/19/2016

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How to paint a tree in snow

Dogwood in snow
30"x30" oil on canvas
available at: https://www.facebook.com/ArtWithPanacheGallery/?pnref=lhc

How do I paint a tree in snow?
That is a question I have been asked many times over my years as an artist. A little background for you: I am the nephew of the Canadian artist who was widely respected as Canada's "Master of snow", Jack Reid.

http://www.robertmcaffee.com/dedication-to-jack-reid.html

Jack was a master watercolourist and for forty years was the much sought after and go to artist for instruction on how to paint snow. I was one of those as I spent the first 35 years of my life painting in watercolour. Those watercolour years instilled in me a deep understanding of snow effects such as shadows and colours of snow. For example, one common mistake by beginning artists is to assume that shadows in snow are grey or black. This just isn’t the truth if you stand and look at snow shadows as they actually are.
The colours I see when I study a snow scene are Cobalt, Prussian and French Ultramarine. These colours make up the basic shades of the shadows in snow. The lighter colours that occur beyond the shadows are not white, as one would assume, actually, they are titanium white with a touch, just a touch of Cobalt blue, Paynes Grey or on the much lighter side, just a very slight touch of Azo Yellow deep. Snow is a reflection of the light around and above it. You can even see green shades from the pines and spruce that hang above it.
Then we come to the trees in snow.
Trees are often painted as an after thought. Not much detail is put into them beyond some bark detail and one or two shades of brown. In my foreground trees I like to dab my colours. This is done in short strokes and using many shades and colours that accent dramatically against the snow. Van Dyke Brown, Burnt Sienna, Burnt Umber, Azo Red Deep, Quinacridone Rose and even some Azo Yellow deep. These colours are what I affectionately refer to as Compelling colours, rather than Repelling colours. My effort is to render snow with a warm feel rather than a cold feel. In my experience snow paintings are quite polarizing with art lovers, they either hate them or love them, never in the middle. So what I try to do is take the "chill" out of how they appear and make the viewer fell.
In the attached video and at www.robertmcaffee.com you can see examples of how I employ colours into the snow paintings I have rendered over the years.

Have a comment on this blog? leave them in the comment section, I'd love to know your experience and questions. Has this blog been helpful to you? Please share with others.
Visit the Robert McAffee Gallery in Whitby.

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Downfalls Lifes little beauties.

12/15/2016

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Downfalls Lifes beauties in disguise

It's life, isn't it? curve balls, detours, pitfalls?
We get them all the time and we can handle them one of two ways. We can let them get us into a funk and wejust roll around in the mud, or we can learn from them.
In 2009 I was gainfully employed at a major banking institution in Toronto. Lamenting about my seeming inability to be a full time artist. So I dream. But one day all 63 of us in our devision we gathered around by the "Suits". You know the ones, they wear the dark suits and a few of them have bundles of white envelopes in their hands. Then, and you know youre toast when they start with these words: "We want you all to know how valuable you all are to the Bank..."
while the envelopes are being handed out and HR reps are quickly assembling themselves in nearby offices to console the newly dismissed, outsourced, downsized sad faced employees, non of which saw it coming and none of which are remotely ready for retirement, they file one by one like a bunch of hogs being hurded off to the slaughter house.
I was there. I was one of those hogs. For just about 20 seconds. I watched grown men and women all around me crying and some even begging their (now former) bosses to save their jobs. For a few brief seconds I felt it too. My kids, my house, my mortgage, my car, etc, etc. Yes, pretty sobering.
And then it hit me. I had just realized a life long dream. To become a full time artist just became a reality!
It could have been a depressing time, it tried to be from time to time, but I was determined that I would get up each morning as if I were going to work at the bank. I would take my breaks as if I were at the bank and I would work till 5pm daily, just as if.
It's been 9 years. No looking back. Desperate men take desperate measure? Yes, I was doing many crazy things to keep the ship afloat. Mostly I thank God every day for his provision and blessing. I am thankful that he gave me the tools through the course of my life to be best suited to do this art career when the time came. 14 years in retail learning selling and marketing skills, 12 years with the bank learning business and money. Never thought the day would come when I would realize this dream...but dispite the downfalls, it came to fruition.
No looking back! Full steam ahead!

RM

CAREER, BANKING, ART, MONEY, LIFE, HONESTY, FINANCE, ART, CANADIAN, ART, Toronto, Collect art, Group of seven, Art Gallery of Ontario, McMichael Gallery, Kleinburg, Modern art, Contemporary art, impressionism, Monet, Rothko, Tom Thomson, Lawren Harris

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November 24th, 2016

11/24/2016

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No shock art here,
no controversy, no politics or bleeding hearts, no using pain to convince that you should have my art, there's really no other reason why I paint, just a couple of simple ones: I love to paint, I love my geography, and I love to share it. I'm thrilled beyond belief when it resonates with someone, and even more thrilled when someone feels moved by it enough to share hard earned dollars to acquire what I do. It's a circle of love. I love, you love and through this wonderful medium of oil on canvas we share love. Love of our land, love of our water, love of our trees and all things around them.
No shock art here. no radical viewpoints, I'm not a rebel from the streets. I'm just Joe Canadian and I'm just Joe Painter. Pine tree painter, as they call me. I paint other things too. But painting is all I do and it's a deeply appreciated privilege to be able to spend my days doing it, and making my living in the process.
RM

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November 23rd, 2016

11/23/2016

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Show me the meaning

Show me the meaning of being lonely
So many words for the broken heart
It's hard to see in a crimson love
So hard to breathe
Walk with me, and maybe
Nights of light so soon become
Wild and free I could feel the sun
Your every wish will be done
They tell me
Show me the meaning of being lonely
Is this the feeling I need to walk with
Tell me why I can't be there where you are
There's something missing in my heart
Life goes on as it never ends
Eyes of stone observe the trends
They never say forever gaze upon me
Guilty roads to an endless love (endless love)
There's no control
Are you with me now?
Your every wish will be done
They tell me
Show me the meaning of being lonely
Is this the feeling I need to walk with
Tell me why I can't be there where you are
There's something missing in my heart
There's nowhere to run
I have no place to go
Surrender my heart, body, and soul
How can it be
You're asking me
To feel the things you never show
You are missing in my heart
Tell me why I can't be there where you are
Show me the meaning of being lonely
Is this the feeling I need to walk with
Tell me why I can't be there where you are
There's something missing in my heart

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November 05th, 2016

11/5/2016

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From burned out old wood, comes new life, giving breath to a fresh new start

New Growth

Change is very difficult to embrace. Habits are hard to uproot and comfort zones are fondly held onto. It is possible to carry on in life never having experienced all that life has to offer, if we never refuse to shake up the ground we stand on.
For some of us, I am guilty as charged, change is not only hard to embrace but it is very much hidden from in favour of the almighty comfort zone. Then, out of the blue change decides to make itself known once and for all. It grabbed me, as if lying in wait for me to come round the corner and be ambushed by it. It's happened more than once! The first major change was when my long career with TD Bank Financial Group came to an abrupt end, due to downsizing/outsourcing/restructuring, what ever they want to call it, I was sacked with 63 other hard working souls. The second has been the very sad, but abrupt separation from my wife of twenty years. There is no nice and easy way to say it, it has been the most difficult thing I have ever had to deal with in my entire life. The new normal is one that I have yet to fully understand and embrace, but it is happening weather I like it or not. So change is in the air.
I remain not bitter about what has passed. I do not hate. Yes I am sad, seemingly to no end. This sadness is not unlike a dark and uncharted path in the woods. Insecurity that no one can see and uncertainty all around. I can only hold firm to God for his strength and guidance. Yes, I believe in God. If I ever doubted him I can certainly say that inspire of me he has been ever more so real to me through this time of sadness and despair.
I am trying to look forward, not backward. The old forest has burned to the ground. Little of it remains, and I am seeking the new growth. New hopes, new dreams, new paths.
This canvas is my testament to what has transpired in my life. An expression of things to come. I've no bitterness for the past, but I hope and pray that I will learn from it and be a better man going forward.

RM

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October 27th, 2016

10/27/2016

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Memories
48"x72" Oil on canvas
available for sale
The story behind the painting:
I have a wonderful Father. (Mother too!) But it was my father who, being from a rural small farm town in New Brunswick, came to Toronto at the age of 16, and soon after married and begun his family in the far out suburbs. He made certain every vacation to pack us all up in the family van and travel. Mostly to New Brunswick to visit family, but along the way we often detoured all over Northern Ontario, Quebec and the East Coast. I like to say there isn't much between Toronto and Halifax that I haven't seen.
When I grew older I continued those travels on my own. Now I can honestly say that there really isn't much of this great land I have not seen. Those travels have made permanently etched images into my heart and a few years ago I decided to bring together those elements into one significant large canvas. I call it "Memories", for it is not of a specific place, but rather of many.
I have kept Memories with me most of the time but recently exposed it to the public a the Algonquin Park Gallery. Now it is home with me again. Perhaps it speaks to you? You can discuss acquisition with me any time by email at robertmcaffee@gmail.com

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October 06th, 2016

10/5/2016

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The light that guides you in the night

Most of us know what it's like, that feeling late at night when all the lights go out. It's that time when you are alone with your issues, your concerns and worries. Theres no one there to help you though it and you must find your own way through to the morning light.
I recently had a rather in depth conversation with someone close to me about making ones way through to the light. We talked about how in life there will always be issues, problems and trials, but it's not the trials that make us, it's how we navigate them to the other side that matter. There is always a light at the other side of our troubles and it's critical that we press on until we get through.

So here is my latest Northern Lights rendering and it is all about the light that guides us. Even in the darkest night we have a light that we can follow that guides us through to the other side of night. It's glow is sometimes dim and sometimes bright but if we just keep our minds set on that light and follow through, we will be ok.

RM

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Who are you?

Who Are You?

How to be a successful Artist

How to become a successful artist

Why buy Art?

Why Buy Art?

How to paint

How to paint a tree in snow

Downfalls Lifes little beauties.

Downfalls Lifes beauties in disguise

November 24th, 2016

November 23rd, 2016

November 05th, 2016

From burned out old wood, comes new life, giving breath to a fresh new start

October 27th, 2016

October 06th, 2016

The light that guides you in the night

The Pine Tree Painter.

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